Modern

Modern may refer to:

Geography

Fonts

Modern (political party)

Modern (Polish: Nowoczesna, styled as .Nowoczesna), is a liberal political party in Poland founded in late May 2015 by the economist Ryszard Petru.

The party received 7.6% of votes in the 2015 Polish parliamentary election, which resulted in winning 28 seats in Sejm. Paweł Kobyliński, elected to the Sejm from Kukiz'15's electoral list moved to Modern's parliamentary group in December 2015, thus the party now has 29 seats.

Formation

The movement was founded in late May 2015 as NowoczesnaPL (ModernPL) by economist Ryszard Petru. Due to some controversy over its name – there had already been a non-governmental organization called Fundacja Nowoczesna Polska (Modern Poland Foundation) – in August 2015, the movement's name was changed to .Modern (.Nowoczesna). Around the same time, the party's new logo was presented, and Kamila Gasiuk-Pihowicz became its spokesperson.

Election results

Sejm

References

External links

Metro (design language)

Metro is a typography- and geometry-focused design language created by Microsoft primarily for user interfaces. A key design principle is better focus on the content of applications, relying more on typography and less on graphics ("content before chrome"). Early examples of Metro principles can be found in Encarta 95 and MSN 2.0. The design language evolved in Windows Media Center and Zune and was formally introduced as "Metro" during the unveiling of Windows Phone 7. It has since been incorporated into several of the company's other products, including the Xbox 360 system software, Xbox One, Windows 8, Windows Phone, and Outlook.com under the names Microsoft design language and Modern UI after Microsoft discontinued the name "Metro" allegedly because of trademark issues.

History

The design language is based on the design principles of classic Swiss graphic design. Early glimpses of this style could be seen in Windows Media Center for Windows XP Media Center Edition, which favored text as the primary form of navigation. This interface carried over into later iterations of Media Center. In 2006, Zune refreshed its interface using these principles. Microsoft designers decided to redesign the interface and with more focus on clean typography and less on UI chrome. These principles and the new Zune UI were carried over to Windows Phone (from which much was drawn for Windows 8). The Zune Desktop Client was also redesigned with an emphasis on typography and clean design that was different from the Zune's previous Portable Media Center based UI. Flat colored "live tiles" were introduced into the design language during the early Windows Phone's studies.

Afrika

Afrika may refer to:

People with the surname

See also

Afrika (song)

"Afrika" is a B-side song of the third single by Serbian new wave band Električni Orgazam and the second single from the Lišće prekriva Lisabon album. The lead vocals on the track were done by Ljubomir Đukić. The song was never covered but appeared on live releases and compilations.

Track listing

Both tracks written by Srđan Gojković

Personnel

External links

Afrika (artist)

Afrika (real name Sergei Bugaev) (born 28 March 1966) is a Russian artist.

He was born in Novorossiysk, on the Black Sea, and in the early 1980s moved to Leningrad, where he met and became friends with leaders of the art scene there, such as the painter Timur Novikov and musician Boris Grebenshchikov. Shortly thereafter he adopted the artistic moniker "Afrika" and began working as an artist himself. In 1987 he starred as Bananan, the lead character in the groundbreakingly avant garde film Assa by Russian film director Sergei Solovyov.

Afrika works mainly in performance and installation art. His 1993 project "Krimania" took the form of an initial performance, which involved the artist spending three weeks in a mental institution in Simferopol, Crimea, at the end of which he staged an exhibition for the patients and staff of the hospital.

The second part of the project was a major exhibition at the Museum of Applied Arts in Vienna (MAK), entitled "Krimania: Icons, Monuments, Mazáfaka." The work addresses the issue of collective versus individual identity of the Soviet citizen after the breakup of the Soviet Union.